These days I’m preoccupied with trying to do what one puny guy can do to make wine less forbidding so that we can slow down (or even stop) the attrition of drinkers. A dialogue I had with my friend Meg Maker was published in the latest World Of Fine Wine and seemed to tickle some vagus nerve of the zeitgeist, and even engendered a bit of snark from some chap whose piece circled the drain while missing the points that Meg and I were addressing. But most of the subsequent onlin

I know I report on these quite regularly. That’s because the estate is remarkably interesting and consequential, and because they are very good about sending me samples. With this collection I’m unusually timely, as the Crus on the market are (still) the 2023s, and all the other wines were current when I visited them last April.   There are two more reasons for paying this degree of attention. One is, even with a winery as reliable as this one, the occasional flub sneaks thr

“HGS” as he was known to most of us, succumbed at last to the various maladies that had dimmed his aura in recent years.   He will – already has, when he turned 80 – receive a clamor of encomia both for the impact he had on viticulture and for the gentle soul he was personally. I paid tribute to him when he “retired” from Müller-Catoir back in July 2002. You can find it on this website by looking under “portfolio” and then downloading my 2003 Germany catalog. There aren’t man

As you know, Selbachs make the wines now, following the passings of the Merkelbach brothers. Rolf and Alfred’s methods are being followed, in order to preserve their Edenic style, their lightness, and their freedom from affect.   What I don’t know is whether the old viticulture is being continued, including harvesting dates and methods. I trust it is being followed at least in spirit, because a precise facsimile seems impossible. Given that most of the vines grow in the class